distanced theatre project

Carrie: The Musical

The LAST DTP Production!

Dates:

Production Information

CONTENT WARNINGS
depictions of bullying, religious extremism and abuse, homophobic slurs, violence, death, blood, sexual assault, group violence in a school setting

Show

Carrie: The Musical

Director/Choreographer

Kat Hansen

Music Director

Isabella Graff

Maturity Rating

PG-13

Age

15-25 (Flexible upon request)

Production Fee

$350 Main Cast - Scholarship May Be Available

Rehearsals

May 4th-June 22nd
Tuesdays & Thursdays 6:00-10:00
Saturdays & Sundays 2:00-6:00

tech

June 23rd-27th

Shows:

June 28th-30th

Audition Info

We are still seeking actors for the following roles:

Ms. Gardner, Norma, Helen, Stokes (Norma, Helen, and Stokes will also understudy the lead roles), and ensemble swings. 

How to Submit:

Crew application

The crew application deadline has passed, but if you would still like to be involved, fill out the following google form and email us to to review it: https://forms.gle/HpbhrdHQYqf8DFz1A

ABout the show

Carrie White is a teenage outcast who longs to fit in. At school, she’s bullied by the popular crowd, and virtually invisible to everyone else. At home, she’s dominated by her loving but cruelly controlling mother. What none of them know is that Carrie’s just discovered she’s got a special power, and if pushed too far, she’s not afraid to use it.

Carrie White is a teenage outcast who longs to fit in. At school, she’s bullied by the popular crowd, and virtually invisible to everyone else. At home, she’s dominated by her loving but cruelly controlling mother. What none of them know is that Carrie’s just discovered she’s got a special power, and if pushed too far, she’s not afraid to use it.

Set in the present in the small New England town of Chamberlain, Maine, Carrie: The Musicalfeatures a book by Lawrence D. Cohen (screenwriter of the classic film), music by Academy Award winner Michael Gore (Fame, Terms of Endearment), and lyrics by Academy Award winner Dean Pitchford (Fame, Footloose).

Character Breakdowns

All Roles Gender-Flexible! 

Director’s Note – Please bring yourself to the audition! I do not have visions for how any of these characters should be portrayed and will not be casting based on how they have been portrayed in the past! Show me what these characters should look like in this production!

There will be no additional ensemble roles in this production

CARRIE WHITE – A painfully shy outsider who, in spite of her best efforts to belong, has been the victim of her classmates’ cruel jokes since childhood, as well as her mother’s strict, biblically-oriented control at home. She transforms from ugly duckling into graceful – and then vengeful – swan. Vocally, she must be capable of lyrical sweetness as well as fierce power.

MARGARET WHITE – A woman of visceral extremes, she balances her fervent religious convictions with equally sincere true-believer spirituality and tender, maternal love for Carrie. Like Carrie, with whom she shares several duets, her voice must range from expressive and melodic to ferocious and frightening.

*SUE SNELL – A straight-A student who’s been popular her entire life, she’s remarkably level headed for her age. Her unthinking participation in a cruel act of bullying causes a crisis of conscience that leads her on a journey to try to right things. Vocally, she has a pop ballad voice that delivers sweet sincerity and strength. 

*Note – In this production the role of Sue will be split directly in half and be played by two actors; one actively living the story, and one telling the story and reflecting on her actions. 

TOMMY ROSS – Popular star athlete, valedictorian, and all around stand-out, he’s the boy that all the girls want to be with, and all the boys want to be. Yet he also has unexpected, quirky sensitivity and is just starting to mine his personal life and feelings – a budding poet. His voice should have an effortless pop quality.

CHRIS HARGENSEN – Rich, spoiled-rotten, and wickedly funny, Chris is a popular beauty whose arrogant self-assurance makes her believe that the rules don’t apply to her. Loaded with sexual dynamite, she has serious daddy issues and anger-management issues. Her voice is pop-rock percussive and powerful.

BILLY NOLAN – Now in his sixth year in high school, Billy’s a sexy, stupid-like-a-fox bad boy whose wise mouth troublemaking has led him to spend more time in detention than in class. All these qualities make it easy for his girlfriend Chris to manipulate him to do her bidding. His voice is that of a wailing rocker.

MISS LYNN GARDNER – Mid-30s, this girls’ P.E. teacher can be a strict disciplinarian if necessary, but when Carrie arouses her maternal instinct, she surprises herself by also revealing a protective “fairy godmother” side. Her voice is warm and strong, just like the woman.

MR. STEPHENS – Late-30s, this well-intentioned English teacher and guidance counselor struggles to help his students realize their potential. A dedicated educator, he’s stretched thin in his duties, woefully underpaid, and a bit overwhelmed as to how to handle the Billy Nolans of the classroom combat zone.

(Will also play Reverend Bliss)

FRIEDA – Sue’s brainy pal, she’s an easy-going, get-along follower and a tireless extracurricular committee volunteer.

NORMA – Bitchy, gossipy and a shameless suck-up to authority, Norma is second-in-command to Chris’ queen bee.

HELEN – Giggly and easily shocked, her immaturity and need to belong make her the perfect example of the herd mentality.

GEORGE – Tommy’s jock wingman since childhood, George idolizes him. Perhaps a little too much…

STOKES – A bit of a nerd, he’s happy to be included as one of Tommy’s posse.

FREDDY – The wise-cracking class clown and official yearbook photographer, he can’t believe any girl would ever give him the time of day.